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Voicing & Instruments: SATB Chorus and Organ
Composer/Arranger: White, David Ashley
This setting of the 8th and 9th verses of Psalm 48 uses the Myles Coverdale translation of the Bible (1535), and adds Alleluias, which occur three times and serve as a sort of refrain. The addition of these Alleluias provides opportunity for usage throughout the Church Year, including during Eastertide. Another unifying idea is the suggestion of a chaconne-a harmonic/melodic idea that is first presented in the opening measures. The arrival of a "triumphant" C Major in the final section is the high point of the piece, but hints of C Minor linger, along with a bit of modal ambiguity due to the presence of the D-flat in the final measures.
Composer/Arranger: White, David Ashley
This setting of the 8th and 9th verses of Psalm 48 uses the Myles Coverdale translation of the Bible (1535), and adds Alleluias, which occur three times and serve as a sort of refrain. The addition of these Alleluias provides opportunity for usage throughout the Church Year, including during Eastertide. Another unifying idea is the suggestion of a chaconne-a harmonic/melodic idea that is first presented in the opening measures. The arrival of a "triumphant" C Major in the final section is the high point of the piece, but hints of C Minor linger, along with a bit of modal ambiguity due to the presence of the D-flat in the final measures.
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