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Voicing: SA, Piano
Neil Ginsberg (Composer)
Mary Hoberman (Author)
Neil Ginsberg approaches this Mary Ann Hoberman text with mock seriousness. Although much of the piece is written for unison voices, toward the end, a second part enters with its own tune, the piano becomes melodramatic, and the story concludes with an inquisitive punch line. Great fun! (Second in a set of three.)
Neil Ginsberg (Composer)
Mary Hoberman (Author)
Neil Ginsberg approaches this Mary Ann Hoberman text with mock seriousness. Although much of the piece is written for unison voices, toward the end, a second part enters with its own tune, the piano becomes melodramatic, and the story concludes with an inquisitive punch line. Great fun! (Second in a set of three.)
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