Categories
- Accessories
- Accompaniments
- Anthems/Octavos
- Choral Works
- Educational Resources
- Folders
- Handbell Music
- Instrumental Music
- Keyboard Music
- Miscellaneous
- Orchestrations
- Sacred Musicals & Collections
- Secular Musicals & Collections
- Vocal Solos & Collections
(Pricing and availability is subject to change without notice. Please call for the latest information.)
TTBB a cappella
Composer J David Moore
Written at the request of Eugene Rogers for his new series, Bound for the Promised Land uses three 19th-century melodies: the shape note hymn "The Promised Land;" and two Appalachian fiddle tunes, "Santa Anna's Retreat" and "The Temperance Reel." Using the Celtic phenomenon called mouth music or lilting, the singers accompany the dance music as fiddlers in a light and energetic fashion. The hymn tune, published in 1835, is credited to Miss M. Durhan, and is thus probably the first music published in America by a female composer.
Composer J David Moore
Written at the request of Eugene Rogers for his new series, Bound for the Promised Land uses three 19th-century melodies: the shape note hymn "The Promised Land;" and two Appalachian fiddle tunes, "Santa Anna's Retreat" and "The Temperance Reel." Using the Celtic phenomenon called mouth music or lilting, the singers accompany the dance music as fiddlers in a light and energetic fashion. The hymn tune, published in 1835, is credited to Miss M. Durhan, and is thus probably the first music published in America by a female composer.
Cart
No products
Total $0.00
Prices are tax excluded
