A stunning atmosphere is instantly created in this short piece by an almost ethereal organ part, featuring flourishes on flute stops, later supported by a drone-like pedal line. The choral lines are slow-moving and homophonic, allowing the text to come to the fore. These words are traditionally used on Trinity Sunday, but their general message is suitable for use throughout the year, making Owens's setting a useful and practical addition to any church choir's repertory.