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For SAB Voices and Piano
By Sasha Johnson Manning
This tonal setting of Psalm 130 follows the strophic translation created by the Elizabethan poet and composer Thomas Campion. Each verse follows an original melody, which is elaborated upon progressively throughout the different verses. The piano part is constructed independently of the four voice parts and is equal to them in the overall construction of the piece. It is ideally suited to the season of Lent but would also complement any penitential service or memorial.
By Sasha Johnson Manning
This tonal setting of Psalm 130 follows the strophic translation created by the Elizabethan poet and composer Thomas Campion. Each verse follows an original melody, which is elaborated upon progressively throughout the different verses. The piano part is constructed independently of the four voice parts and is equal to them in the overall construction of the piece. It is ideally suited to the season of Lent but would also complement any penitential service or memorial.
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