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arr. Charles Maggs
2/3 octaves, Level 1
A modal harmony has been used to frame this Christmastide carol. The melody is used to create three different but overlapping sections to the piece, with each section entering more forcefully and impatiently than the previous.
2/3 octaves, Level 1
A modal harmony has been used to frame this Christmastide carol. The melody is used to create three different but overlapping sections to the piece, with each section entering more forcefully and impatiently than the previous.
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